tcliff’s investigation, interviews with Warhol and references to the writings of other critics. Basing his survey largely in the ideas of others, Ratcliff discovers little original information. Referring to such credible contacts as Robert Rosenblume’s description of Julia Warhola [1], saying that Warhol’s portrait of his mother breaks through the artists “aestheticism” to convincing emotion (Figure 2). Art critic Thomas Lawson’s notion that Pop art has everything to do with nothing [2], or Warhol’s own mag
             ...