tchings in his collection, and in all of them he keeps his style of presentation. A little bit rough, and expressive. His characters on one hand are not explicitly detailed, but on the other all have their own unique points of interest, and expressive quality.
             If Plato were shown this etching he would probably be satisfied with it, since it meets all his conditions to be defined as good art. He argues that to be considered "art" at all, a piece of someone's work, whether it is a painting, etching, poem etc., has to resemble identically a life that we see, and how we perceive it. The closer the work of art is to reality, the better would he consider it to be. Looking at an etching by Rembrandt we can see a very close similarity to life. People are proportionate, they look what ordinary people should look like, and the place where they are gathered is also a familiar surrounding which would look probably the same if we were to look at it in real life. However if we were to think about the content of the piece, there is a side to it, which draws particular attention. Jesus Christ is present on the etching. In the times of Plato t
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