The aspect of a Romantic composition's balance is characterized by diagonals and tension. Disproportion, imbalance and a feeling of pushing and pulling within the depth of the composition can also be observed. While movement and activity is characteristic of Romantic paintings, a still, quiet, stationary behavior epitomizes Realism paintings. In Eugene Isabey's "Boat Ashore at Calas" (1851), simple romantic elements comprise the piece: diagonals and smoke. A main diagonal line emphasizes the downward slope of a shore lined with beached boats resting upon the sand. A challenging inferior diagonal line of a small group of people and their dinghies cross the main diagonal flow. The two lines of tension resolve at the lower center of the composition highlighting the main, looming subject - a dark massive apparition of a docked, freight boat enshrouded by blackening smoke. This is in contrast to Gustave Courbet's depiction of sea life in "The Calm Sea" (1869). The painting resembles a high resolution black and white photograph. Realistic elements are the stationary flatness of the horizon and the solitary presence of two single beached boats. The portrayal of the shoreline, horizon and cloud formation is horizontally stable, thus emphasizing the calmness of the sea. Baron Antoine-Jean Gros' "Murat Defeating the Turkish Army" (1805) is a composition that presents an overwhelming flow of diagonal tension. Murat is centered in the composition uprightly astride on his horse, while the Turkish army surrounds him in every conceivable contortion of agony. The Turkish general faces Murat, yet he is positioned diagonally right below Murat in an inferior military pose. Compared to Murat, Courbet's "Bonjour Monsieur Courbet" (1854) finds a very stable balance in the subject of two men saying good-bye to another man. The subject can be divided by the two men on the left and the backpacked man on the right. Stability is emphasized by the st...