r both Olivia and Orsino; at another, a heterosexual one (Kahn 44). I believe that at this part of the scene Viola/Cesario is experiencing some form of an identity crisis. Although she is a woman who has deceived everyone into believing she is a man, she is now becoming bewildered by a strange turn of events. She's being accused of denying having known Antonio and having beaten up Sir Toby Belch and Sir Andrew. She is being accused of a
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