Throughout the tragedy of Romeo and Juliet various types of "love" are
            
 displayed . Benvolio believes women are interchangeable, while, at the
            
 beginning Romeo bel ieves love is pain. At the beginning Juliet does not
            
 even have a definition of love. Paris's and Lady Capulet's definition of
            
 love is in appearance. It is obvio us that Shakespeare wants the audience
            
 to believe that the only "true" or "real" love is the love that exists
            
 between Romeo and Juliet. The  first type of love the audience is introduced
            
 to is the "interchangeable" lo ve of Benvolio. According to Benvolio, a man
            
 should "love" a woman for only the duration of their relationship. If their
            
 relationship should end, the man should feel no grief. If the woman rejects
            
 the man initially, he should still feel no grief. In either situation, the
            
 man should simply start a relationship with anot her woman. Benvolio's
            
 definition of love shows the audience two things about Ben volio: he is a
            
 womanizer and he has never before experienced "true love." The next
            
 definition of love comes from Romeo, but before the time he met Juliet.
            
 According to his definition, love (or, rather, not returned love) is pain.
            
 He h ides from the sun due to the "love" he feels, and does not act like
            
 "himself." I believe Romeo is both right and wrong: not returned love is
            
 pain, but Romeo doe s not truly love, as he is merely infatuated by a
            
 woman. The next definition of love comes from Juliet, who, before meeting
            
 Romeo, did no t even have a definition of love. She appears not to know
            
 what love is, and, for that matter, does not seem to care. She remains
            
 Another type of "love" we are exposed to during the same scene is the love of Lady
            
 Capulet. Lady Capulet believes love comes from appearance, both physical and
            
 political, and has nothing to do with emotion. She shows this when she speaks
            
 favorably of Paris's looks and his nobility. She also shows that
            
...