ot easily jealous," and that assessment of his character seems to be shared by most of the figures around him in the play. The critical response is mixed--some critics insist that his claims to be innocent of jealousy are merely self-justifying, and certainly he slips easily into assuming his wife to be unfaithful. Other critics make the distinction between an inner, self-created jealousy, which he seems to lack, and a deep insecurity and "trusting nature," as Iago puts it, which allow a clever manipulator to plant seeds of
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