id) with a greater understanding and appreciation for perspective and the illusion of a three-dimensional planer aesthetic.
             Keeping in mind that many Balinese citizens did not see these traditional paintings as they were owned and kept by the high-class Balinese caste, it is not hard to extrapolate that the art of the 1930s was most likely created without the artists ever being exposed to these traditional art pieces. Knowing that the Balinese artists did not see these traditional paintings provokes a question: if the Balinese painters of this time did not see these traditional paintings was their visual influence solely based on the works and teachings of Spies and Bonnet?
             Although the influence of Balinese painters was not based solel
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