In the play, Arthur Miller's Death of a Salesman: Willy Loman, a
sympathetic salesman and despicable father who's "life is a casting off" has some traits
that match Aristotle's views of a tragic hero. Willy's series of "ups and downs" is identical
to Aristole's views of proper tragic figure; a king with flaws. His faulty personality, the
financial struggles, and his inabiltity are three substantital flaws that contribute to his
Willy, an aging salesman who sells nothing, is abused by the buyers, and
repeatly borrows money from Charley to make ends meet. He is angered by the way his
boss, Howard fired him after working for thirty-four-years at the same company, "You
can't eat the orange and throw the peel away--a man is not a piece of fruit!" (Miller, 61).
Willy is battling for his life, fighting to sustain a sense of himself that makes it worthwhile
living at all in a world which seemingly offers less and less space for the individual.
Now, If it is true that tragedy is the consquence of a man's total complusion to evaluate
himself justly, his destruction in the attempt posits a wrong or an evil in his
environment. And this is precisely the morality of tragedy and its lesson. The discovery
of the moral law, which is what the enlightenment of tragedy consists of, is not the
discovery of some abstract or metaphysical quantity. (miller, common man)
His problem is that he has so completely accepted the values of his society that he judges
himself by standards rooted in social myths rather than human necessities. This lack of
insight is strikingly similiar to traits of the tragic hero. As Aristotle's writes, the tragic
hero, "Lives for honor and fame".
The glaring point of his faulty personality of neglecting others includes
those closest to him, his wife, Linda and his two sons, Biff and Happy. "You'...