proportion, and I had selected his features as
             beautiful. Beautiful, Great GOD! His yellow skin scarcely covered the
             work of muscles and arteries beneath; his hair was of a lustrous black
             and flowering; his teeth pearly whiteness; but these luxuriances only
             formed a more horrid contrast with his watery eyes, that seemed almost
             of the same colour as the dunwhite sockets in which they were set, his
             shriveled complexion and strait black lips." (Shelly, 56)
             In viewing the above passage, much of the same type of character definition can be
             seen; very similar to the manner in which Allende casts her deformed mold of her
             Beyond merely presenting imagery to enhance the characters
             ...