The idea that Imaginative Journeys transport characters, composers and responders into worlds of inspiration, speculation and imagination is clearly displayed in a variety of texts. "Journey to The Interior" is a poem of intellectual speculation on life, demonstrating that imaginative journeys into the psyche are undertaken for self-reflection and exploration. "Return to Neverland" communicates that transformations may be the outcome of imaginative journeys, in which there are no limitations. Shakespearean play "The Tempest" takes the composer and responder on a journey of the imagination creating supernatural potential in the name of reconciliation through forgiveness.
             Both visual and literary devices are used in Return to Neverland. The beginning of the film supports the inference that imaginative journeys take us on voyages into the unknown where we regain freedom through imagination. Jane stares out of her window upon the "second star to the right" juxtaposed with scenes of the depressing city bombings in London and envisions a place where responsibilities are lifted and mystical imaginings become possible. Symbolism is also used; Jane's to-do list represents responsibilities, which have forced her to grow up fast, also shown by her statement that fairytales are "childish nonsense". Her transformation is evident at the end, when she joyfully exclaims, "I will always believe in Neverland". Imagery and the use of colour contrast are used to compare the limitations of reality with the endless possibilities of imaginative journeys. For example, the harsh colours and tones of England are in stark contrast to the bright colours of Never Land.
             Another text, which uses imagery amongst other comparative and linguistic devices, is Journey to the Interior. Imagery of the shoe and paring knife, together with the personification of a "sentence" show that the extern...