is not the case, as a passionless society would render Swift incapable of satire, and he realizes this (Ward 6). Swift only wants man to realize that he is made up of two parts: passion and good sense (Knowles 36). Swift believes, as Kathleen Williams points out, that man's "mind and body are at odds and must be, as far as possible, reconciled." He attacks man's complexity because it prevents him from choosing rationally between passion and good sense and keeps him from maturing into a wholesome, sensible person (Bloom, Swift 15). Swift has no desires to eliminate passion. He only wants man to have some control over it (Knowles 36).
Critics incorrectly argue that much of Swift's work is simply absurd and overly imaginative (Knowles 36). Gulliver's Travels includes many "absurdities," such as gods being frightened by puppies, a jealous minister and meretricious maids of honor, but each of them are included for a reason (Bloom, Gulliver 43). Swift has inserted each of these absurdities to prove his theory that man is naive and ignorant of his prob
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