Ellison's Invisible Man reads very much like
a jazz composition. The narrator's voice comes to us from the 'lower frequencies.' His
personal saga takes place against the backdrop of the America's complex diverse culture
and society. The novel po rtrays the impoverished and the wealthy, the rural and the
urban, the North and the South. Invisible Man is a narrative of the American experience.
The narrator's own life story takes place as an undertone to this larger experience,
providing fur ther complexity and richness to an already diverse set of experiences. The
narrator's voice rises from the lower registers of Ellison's hectic, varied portrayal of
American society and culture. His story is an improvisation on a theme: the black Americ
an identity. Ultimately, the narrator rejects the value of a single black American identity.
He favors embracing diversity and complexity and believes we should accept the black
American experience as a source from which a variety of improvisations can be
The narrator's experiences with racism have
led him to this conclusion. He subscribes to different ideologies throughout his life.
However, each ideology demands that he submit his identity to a definition determined
by others. Moreover, each ideology demands that he hide portions of his identity in order
to conform to an ideal imposed from the outside. Each ideology promises a utopia that it
fails to deliver. The ideology of the 'model black citizen' espoused by the college
demands that its follower s shun the heritage of black Southern folk culture. It demands
that its followers try not to be too black. The ideology of the Brotherhood demands that
its followers break completely with their pasts and assume new identities. Both
ideologies pr omise a better world, but require the narrator to bind his identity to one
The dream of social progress for black
Americans offered by the college's i
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