hey are severely restricted in the extent of their awareness, a consequence of a Cartesian materialistic view of consciousness as occurring i!
             Eugen Herrigel's struggle to attain the Zen everyday mind in Zen in the Art of Archery was primarily due to this restricted view of consciousness as part of a Cartesian Theater. His inability to abandon an end-gaining mentality results in Herrigel's trouble embracing the concept of letting "It" occur because he is fixated on the end result of piercing the target with the arrow.
             All that I had learned and achieved so far only became intelligible to me from this point of view: relaxed drawing of the bow, relaxe
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