t Red Sammy is a good man because he relates to her old fashioned values (she thinks). Sammy is surprised at this and exclaims, "Yes'm, I suppose so," his unsureness makes the reader question Sammy's character. What is more telling is what the waitress says while bringing the food: "It isn't a soul in this green world of God's that you can trust... I don't count nobody out on that, not nobody (O'Connor, pg. 8)." While speaking this last line the waitress looks directly at Sammy, making him angry/uncomfortable. If Sammy is not a good man is he evil? Could he represent Satan, Red Sammy is a fitting parallel name. Sammy then states that "a good man is hard to find." Could this be forewarning to the grandmother's confused values of what is right or wrong (good or bad)?
             Soon the family is on their way again but the grandmother forces her way by using the children. Getting the kids exited enough to annoy their father so much that he breaks down and changes the route and seeks out the old gothic house. We soon learn that the grandmother has made a geographical mistake thinking Georgia for Tennessee. Her ignorance starts a chain of events which will result in all their deaths: Brining the cat along even though she knew it wold not be allowed, forcing her will even when unsure if it was right (O'Connor, 2, 11). The grandmother's uncertainty of geography could be read as mirroring her spiritual uncertainty.
             After the car crashes we see that the grandmother is self-serving. She uses gender roles ("you wouldn't shoot a woman") and religious images to try and save herself and to make the Misfit to look well upon her (O'Connor, 14-19). This plea seems very self-serving. Why not ask- "you wouldn't shoot a family, would you?" The argument of religion as a reason to be good is rejected by the Misfit (O'Connor, 21). By dismissing Christ's history the Misfit also rejects the grandmother's self-serving values. When death is imminent ...