ones, but also in
folk and scores of other types of music that became popularized through their protest
Like almost every other aspect of American society, music was drastically
changed by the sixties. New forms and interpretations emerged across the country, and
with all of them came a voice that spoke for the generation they fostered. Like the
troubadours who sang the news through the Dark Ages, musicians of the sixties spread
the word of a new dawning in America. As the snap transition from relaxed,
grandfatherly Dwight Eisenhower to the energetic and brisk Jack Kennedy in Washington
signaled a sea change in politics and government, music broadcasted similar news that
"The times, they are a-changin". The decade that shaped so much of American music
found that as these new styles became immensely popular, the music, itself, began to
reshape the decade and war in Vietnam (Neary 92) .
In the early sixties, folk started as a little known but hated form of music. Singers
and songwriters such as Bob Dylan, Richie Havens, Joan Baez, Joni Mitchell and Peter,
Paul and Mary, became familiar figures at anti-war demonstrations. From the small
coffee houses of Cambridge, Massachusetts and Berkeley, to the rising urban folk scenes
in The Village of New York City, folk found its place in protesting the American
involvement in the war. Bob Dylan would later write, "I just wanted a song to sing and
there came a point where I couldn't sing anything. I had to write what I wanted to sing
because what I wanted to sing, nobody else was writing." Dylan's moving lyrics in
"Masters of War" chastised the government for creating the conflict so greedy
businessmen could manufacture weapons and fill their pockets with the earnings.
--"There's one thing I know though I am younger than you/ Even Jesus would never
forgive what you do". Dylan's countle...