e stolen money, while she is at Bate's Motel (cue #10). (Appendix: cue sheet) (Prendergast, 1992)
             The next main theme is the music that elaborates on the character of Norman Bates and his relationship with his 'mother'. This music begins in the cue entitled 'madhouse' where Bates and Marion are talking about his 'mother'. This music reoccurs in many cues and with variations and new motives that add to the character of Norman Bates. (Appendix: cue sheet) (Prendergast, 1992)
             The form of the Herrmann's score for Psycho is therefore poly-thematic, meaning more than one theme. The reason for this is to provide variety to the music to keep it interesting and unity so the audience can make associations with characters and scenes, through the use of good reoccurring themes. Herrmann's score does this superbly and strong links are made between the music and the story.
             Instrumentation in Herrmann's score is unique because all the instruments are strings. Herrmann was known to choose small group arrangements or unusua
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