Throughout the play there are many references to the gender and sex roles of the characters. As described in the critical essay by Shirley Nelson Garner, the dominating male power and strange sex roles of the characters is fluent throughout the play. The ordering of the fairy, human, and natural worlds is a movement toward satisfying men's psychological needs; but it also disrupts women's bonds with each other. The argument between Titania and Oberon arises from Titania's focus of attention toward a stolen Indian boy. Oberon uses his authority to force Titania to give up the boy, and he is shocked when she disobeys him and leaves. Her attachment to the boy is erotic, because she treats him similar to Bottom after she falls in love with him by a spell. The underlying reason for Oberon's complaint of Titania and the boy's relationship is that he secretly wants the boy for himself. Oberon takes action because his power is threatened by Titania's love for the boy. He needs her too!
             , so he wins the boy for himself to make her feel inferior. In other words, Titania gave up something that she loved to make her husband happy. This is seen in everyday life, women give up their wants to make their men happy. Titania's sacrifice for Oberon cost her to lose both her Indian boy and his mother, her women lover. When men don't make women happy, they turn to their friends for what they need, whatever it may be. (Scott 370-373) Male domination not only exists between husband and wife, but also between father and daughter. Theseus will not allow Hermia to marry Lysander. Theseus wants her to marry Demetrius. Egeus, a ruler, will force Hermia to become a nun unless she marries Demetrius. In retaliation to his demands, Lysander and Hermia run away together. Hermia is scolded by Egeus for being in love with the man she chooses. This suggests that men cause women to feel forced and obligated to do as they say. (Sco...