history. The clearest example of this is also one of the most intense and
involving scenes of the entire play. In scene nine, Blanche is confronted
by Mitch, who has learned the truth about her past. Mitch tells Blanche
that he has never seen her in the light. He tears Blanche's paper lantern
off of the plain, bright light bulb, and tries to see her as she really is,
and not in a view warped by Blanche's efforts to make herself seem more
innocent, young, and beautiful than she is. Blanche responds to this by
saying "I don't want realism. I want magic!...I try to give that to people.
I misinterpret things to them. I don't tell truth, I tell what ought to
be truth...Don't turn the light on!" This intense, frightening scene
reveals to the audience the way Blanche views the world. Tennessee
Williams's use of this kind of dual view of the world to develop Blanche's
character is a perfect example of the way A Streetcar Named Desire makes
the audience react to the characters in the play. It is this reaction
between the audience and the brilliant characters in the play that makes
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