an provide the viewer with the ba!
             sic mood of a scene. For example, a brightly lit scene would probably give the viewer a sense of good or safety, where as a dark scene would probably give a viewer a sense of evil or trouble. Drastic changes in moods can give the viewer suspense. Fifth, "To fix the time of the action." The angle of the lights create the aspect of time. You can set up lights to give the feel of morning, noon, evening, and night. This all includes where shadows appear, the color of the scene, and the level of light. Finally, "to contribute to the overall aesthetic composition of a shot and sequence of the scenes." The way that actors are always moving on a television show can be a problem when thinking about lighting. At one part of the set, an actor may be lit very well and at another, he/she may be very dark. For example, a game show is always fully lit because people are constantly moving, where as in certain shows, a scene may be still and the light would be concentrating on a cert!
             ain subject or object. "The way a well-designed set is complimented by the creative use of light contributes to the television aesthetic." (Wurtzel and Rosenbaum, 525)
             The basics in the studio lighting are grounded in the equipment that is used. "Television studio lighting systems include three components: lighting instruments, hanging or mounting devices, and lighting control equipment." (Wurtzel and Rosenbaum, 534)
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