d fifties during the first revival of `Sci﷓Fi' in popular culture. This is taken from the preface of the 1955 edition of Best Science Fiction Stories:
             "A science fiction story is one which presupposes a technology, or an effect of technology, or a disturbance in the natural order, such as humanity, up to the time of writing, has not in actual fact experienced."
             The third definition comes from the book that sparked the industry of Science Fiction Historiography. Essentially, New Maps of Hell (1960) by Kingsley Amis stated that Science Fiction was purely a phenomenon of popular culture and had no history or historical hearing. It is debated weather Amis (who career) is the first of the apologist for the genre attempting to brim out the fight; or truly a does indeed write Science Fiction later in his disgruntled writer who wants to disassociate himself with the profession of modern myth making.
             "Science Fiction is that class of prose narrative of a situation that could not arise in the world we know but, which is hypothesized on the basis of some innovation in science and technology, pseudo﷓technology, whether human or extra﷓terrestrial in origin."
             With this as a working definition of the genre, the arguments made throughout the work will be more understandable. Keep in mind that H.G. Wells, Jules Verne and Mary Shelly are the three most
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