Strangers on a Train Motifs

             Alfred Hitchcock's, Strangers on a Train reinforces the duality of human nature and effectively transforms a highly improbable situation into a series of logical events, which lead to murder. Hitchcock has constructed most of the events in this particular movie around the idea of twos in regard to his film technique (crosscutting/match cuts) as well as a number of references to doubles (shoes in the opening scene) throughout Strangers on a Train. A great deal occurs in pairs in this film. These twos act as an integral part of the films plot. Furthermore, there are a number of reoccurring symbols or motifs in the film that go hand in hand with the idea of duality. In my section of this web project I am going to elaborate on a number of scenes from the film and provide evidence to support my various arguments regarding the idea of pairs.
             "You'd like your wife killed, wouldn't you? Ill do it for you if you'll kill someone for me, and since we're strangers we'll be free of suspicion."
             The film, Strangers on a Train is an extremely slick, psychological thriller that succeeds in tackling blackmail, murder and issues of taboo sexuality. This film is definitely one of Alfred Hitchcock's best in that it reinforces the duality of human nature and effectively transforms a highly improbable situation into a series of logical events, which lead to murder.
             Hitchcock has constructed most of the events in this particular movie around the idea of twos in regard to his film technique (cross-cutting/match cuts) as well as the number of references to doubles (shoes in the opening scene) throughout Strangers on a Train. So much occurs in pairs in this film. These twos act as an integral part of the films plot. For example, Tennis star Guy Haines hates his adulterous, soon-to-be
             At the same time, Bruno Anthony hates his father but is afr
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