ting on top of it, and she has a skeleton-looking arm, and the other arm is missing a hand. Perhaps with the centaurs who expose their massive buttocks, might suggest Parmigianino's Madonna With a Long Neck. With this, it forms a similar type of mannerism in which both figures in these paintings are overly exaggerated. The half woman's breasts are largely enhanced, as well as the women's buttocks. Another characteristic of form would be with all the figures do not look straight out at the viewer; they are faci
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