s from people to nature" (Gateshead 33). "When she hides behind the window curtains" Jane looks through window to nature and "is 'shrined' in the 'double retirement' (39) of . . . her own mind" (Gateshead 33). The motivation behind Jane's desire for escape is an emotional exclusion "from the family circle clustered around the 'fireside' (39)" (Gateshead 33), which deprives Jane from "emotional as well as physical warmth" (Gateshead 33). Thus, the fire, conceived by nature, domesticated by the Reed family symbolizes Jane's emotional coldness and isolation. An additional correlation in nature to the frozen emotional status of Jane Eyre is exemplified by the "perpetual winter" that Jane endures while at Gateshead (Gateshead 33). Linking with the wintry weather, Jane's aunt, Mrs. Reed, provides an "eye of ice" which continues "to dwell freezingly on" Jane, "so that even the glass panes become frozen-over, making it impossible to see beyond her immediate petrified self" (Gateshead 34). Consequently, a parallel between the bitter conditions of weather and Jane's dejected status can be drawn. However, the coldness of nature changes to allow Jane "in the garden of Gateshead" where "Jane undergoes a physical and spiritual transition away from the 'visionary hollow' of her inner confinement" (Gateshead 43). Hence, following Jane's being "locked in the red-room (epitomizing her mental imprisonment)", she is "then released . . . into the garden (which symbolizes her transition from inferiority), then onto a road of 'preter-natural length' (74) for a journey that, like birth, commences in darkness (73)" (Gateshead 33). Therefore, Jane experiences a mental and emotional release from her inferior, dejected status at Gateshead i
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