into his living room, and also shows Mrs Thorwald in the bedroom. Hitchcock's use of eyeline matches indicates that the camera is supposed to be reproducing Jeff's point of view. Mulvey argues that in contrast to this, Lisa is never allowed to be in the position to motivate point of view shots. This enforced submission upon Lisa complies with Mulvey's broader analysis that women in cinema are there because of their "to-be-looked-at-ness" (5) quali
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