Poetry is what is lost in translation. The beauty of human expression, modified by the difference of tongue. In Sophocles tragic drama Oedipus Rex, translation creates the backbone to its universal outstretch, yet further diffuses the natural flowing syntax of the Greek language. Although there are many different English-translated versions of Oedipus Rex, such as David Greene's translation, 1942; E. F. Watling's, 1946; Paul Roche's, 1958; and Dudley Fitts and Robert Fitzgerald's, 1976, one version captures the essence of character for Oedipus, as Sophocles would have presented it. Furthermore, Oedipus' Compassion, Leadership and Greatness, can be demonstrated most clearly through the use of diction, imagery and, themes and tones. Within the Prologue, Dudley Fitts and Robert Fitzgerald's English-translated version, ultimately displays a greater magnitude of character for Oedipus, thus proving his sovereignty.
             Compassion directly displays the true inner being of character. In Fitts and Fitzgerald's translated version, Oedipus speaks of divine purpose that further demonstrates a greater sense of commiseration. He conveys the words, "My children. . ." (Ln. 1) which displays his presence as a father figure. This in respect creates an additional image of Oedipus as a godlike character; taking his people under his wing. When compared to the other translations, in becomes apparent that they do not establish the fatherly compassion he holds for his people, thus filtering Oedipus' stature as a lineage character. In each translation, Oedipus, King of Thebes, though extremely engulfed in running his kingdom, is heartsick for his people and thereby comes to the attention of hearing first-hand, the quandary that lies before them. In Fitts and Fitzgerald's version he expresses, "Children, I would not have you speak though my messengers, And therefore I have com...