ished by the creative genius of each and every artist. I almost loved every painting and sculpture over there but for our project I had to choose only one of them. So, I choosed the sculpture of Lee Bontecou which at a first glance made a great impact on my brain. It was very huge and ws so scary. It has a dimension of "184.5x167.6x64.6 cm." It was placed in the Whitney Museum of American Art, NewYork but right now it's in the Museum of Mordern Arts at Queens. She didn't give any title to her creation because she wanted the viewer to run their imagination to figure out what the sculpture is trying to portrait. She has used welded steel, canvas, velveteen, saw blades, rope, pipe fittings, soot, spools, washers, grommets, wires etc. to make this huge creation of artwork. It somewhat looks like a war machine. The reason behind choosing this sculpture is because I always wanted to research on anger and how we can control our anger and consequently when I looked at the sculpture I saw anger and hatred that Leee Bontecou was trying to express. This sculpture was created in 1961, the time period during which the Vietnam's war and the civil right movement were going on. Reminiscing about this period, Bontecou notes two parallel particles in which she would alternately engage: on the one hand, she generated works that pointed to the exploration of space, reflecting a utopian perspective in relation to technological development; on the other, she created works that were predominantly black, employing visual clues that obliquely addressed recent histories of destruction and anger.
             Bontecou was angry. She used to work with the United Nations program on the short-wave radio in her studio. She used it as background music, and in a way the anger became part of the process. During World War II she was very young and she had seen all the destruction and hatred in the world. So, all these feelings that she had came back to her while she was making th...