cyclist. He spots some books scribbled upon by ink, walks over, closes the books, and holds them to his chest with an air of disapproval. He returns to the cyclist, still standing by the wall, and hands him the books, shaking his head as if in disappointment. After he turns once again to leave, the cyclist suddenly spins around with a glower on his face, and the books in his hands become guns. The doppelganger turns to face the cyclist with a hurt look, but the cyclist mercilessly fires several shots. The doppelganger's eyes roll back and he begins his slow-motion collapse, but falls in a meadow by a gentle lake, next to a nude woman who sits with her back facing the camera. He reaches out and tries to clasp her, b
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