aligns
itself with some significant meaning. But according to Jean E. Kennard,
Heller makes sure these connections and desires remain purely "physical:
food, liquor, sex, just as the only real horror is physical pain and
ultimately death." Heller goes on to assess his reasoning for why the
characters need such transient things, when in actuality they could die the
very next day. His whole philosophy throughout the entire novel is very
dependent upon the existentialist ideal that is characterized by a "sense
of disorientation and confusion in the face of an apparently meaningless or
absurd world", as stated in a New York Times book review. Heller explores
the possibilities of our existence through these characters and according
to Jean E. Kennard, he plainly states his belief that "The world has no
meaning but is simply there; man is a creature who seeks meaning. The
relationship between man and his world is therefore absurd; human action
having no intrinsic value is ultimately futile; human beings have no innate
characteristics" and encourages his readers to do the same through analysis
of the simplistic and supposedly mundane. By finding humor in the usually
dark and depressing, the human mind is able to realize that the hilarity of
such desperate situations and desperate desires. And while the characters
in this novel are very realistic, they "are, however, caricatures,
cardboard figures who are distinguished for the reader by their particular
obsessions. According to Kennard each lives with an illusory view of the
world which isolates him and makes the results of his actions very
different from his expectations." We can relate to these people through our
own desires and by the simplicity of our own lives. We know that we don't
want to die, but we don't know why we don't want to die. We know that we
want sex, but we don't know why we want sex. We want to have sex to
reproduce. But ...