he slender Cycladic figure are interpreted by modern scholars to represent their cultures mythological belief in aiding the deities if their time period in reproduction. Without the scientific knowledge of later generations, it is assumed that these figures were representations to invoke fertility. Mesopotamia art was centered in what are now Iran and Iraq. The developing cultures (Assyrians, Sumerians, Babylonians, etc) in the area, between the Tigris and Euphrates Rivers, which is sometimes called the Cradle of Civilization or the Fertile Crescent, are credited with the invention of cuneiform writing which is shown to us in the Stele (law code) of Hamarabi.
             Within these cultures, rulers often conferred with the religious leaders and religion was an important part of their society. The unique character of Sumerian art is exemplified by a group of votive statues from the Abu Temple, at Tell Asmar. The identities of these statues are unclear. However, it is an educated theory that they served Abu, God of vegetation, and they represent priests, and worshipers. There is no indication that these figures were intended to represent a naturalistic scheme. It is important to note that the symbolization is that of the human form and representative of some form of authoritarian hierarchy. Tracking the human form and its relationship to art, history, and culture as the human figure evolves through the centuries as artists perfect their talents is an effective way to establish how art has evolved throughout all cultures and eras. The architecture from the ancient world throughout history also reflects the cultures religious beliefs and in most civilizations was designed with humankind in mind. The erection of the citadels during the Mesopotamia historical era is built to provide protection of the temples and palaces. They are decorated in relief and personify power, religious themes, and the cultural beliefs about the human form and its relatio...