Art History Research Paper - Art and the Human Form

nship to the universe. The Human-Headed winged lion from Nimrud is the perfect example. The tremendous stone slabs are carved into enormous human-headed winged beasts, a bull, and a lion. The lion wears a horned cap indicating divine status, while the animal's body is endowed with a device unique to the Mesopotamia art style. It has five legs, so that from the front it appears motionless. However, from the side view it implies the figure is walking.
             The impression of intimidation and formability radiates from the citadel. Egyptian art radiates the directive of continuity, a seamless stretch of time that reaches back to infinity, yet forward into history all at once. The Sphinx serves much the same purpose for the Egyptians as the citadel depictions did for the Mesopotamian era. It symbolizes stability, intimidation, protection, order, and endurance. It was built about 2530 B.C.E. The Sphinx faces the sun and is massive in height. It has the body of a reclining lion and the head of a man, most likely the Pharaoh Chefren. In the Egyptian culture, th
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